Posies return with original lineup and Terra Lightfoot

Original drummer Dave Fox and bassist Mike Musberger accompanying Ken and Jon for the anniversary show.

As promised, the Posies returned to celebrate the 25th anniversary of their second major release Frosting on the Beater (technically their third album). They also had the band’s original drummer and bass player in tow. This took place at a larger venue, the Parish, which may or may not be around in the next couple years, the owner is selling it and anything on Sixth may get overhauled into something else entirely.

Ken Stringfellow

The Posies played a little of everything instead of using the formula of performing Frosting in order. I’m open to either approach. The best news for me was them doing my all time favorite song, “Throwaway” as the third song. Jon and Ken are at their best when they’re clowning around with the  audience, namely when they need to kill a little time to re-tune their guitars. One of them will start noodling an old Rock song, get the crowd to sing a bit. Jon’s impression of Michael McDonald was spot on and hilarious.

It was great to have some face time with them again. They remembered me from the Cactus show! I asked Jon if he remembered the Christmas song he did with Velocity Girl’s lead vocalist, Sarah Shannon. He did which would be a given, Velocity Girl was their opener in 1996 (the first show I saw of both). Jon then let me know, Sarah left VG and moved to Seattle where she had recorded a couple more albums…which I am in the processing of hunting down, ohhh, she also does kid stuff now. I couldn’t resist sharing my (favorable) impression of them with Jon and Ken; Velocity Girl looked like high-school AV guys who formed a band with the odd yet pretty girl that writes poetry. Jon chuckled, responded, I wasn’t far off the mark.

Jon Auer

Should these guys come through town, see them! You won’t be bored and your ticket money helps pay for their upcoming remasters of their three albums originally on DGC, the same label Nirvana was on.

Opening for the Posies were two, high energy bands I loved. First was Austin’s very own Marmalakes. Definitely need to watch the local boards and press to see when they’re performing around town again. The music was solid but what I enjoyed more was this vibe of sincerity in their material. Most material comes from a personal place with the writer(s) yet it was more touching than I recall with others.

Terra Lightfoot on tour at another venue. Photo by Geoff Tischman.

The touring opener is someone you must see, Canadian rocker Terra Lightfoot. I’ll answer your immediate question, no, she isn’t related to Adult Contemporary star Gordon Lightfoot. However, Terra can play the hell out of a guitar and has impressive stage presence. Part of it is due to her height, she’s 6′ 1″. I bought a vinyl copy of her latest as a gift to my niece Anna who plays guitar too. Whenever I can find a good rock n’ roll role model for Anna, I buy their stuff to send her way. Terra and her bandmates were wonderful in person and Terra autographed the album New Mistakes with encouraging statements. I passed her credibility quiz when I bought a shirt which is modeled after Electric Warrior, T Rex’s best; which color, gold of course!

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Patrick Stewart is returning to Star Trek

This was an awesome surprise to see from the updates regarding the annual Star Trek convention in Vegas; held at Rio now, the LVH hasn’t had the Star Trek Experience in over a decade.

At age 78, I’m not sure what they have in mind for a TV show. I figure it would be his adventures as an admiral or flashbacks of when he was in command of the USS Stargazer. Whatever it may be, it couldn’t be any worse than Nemesis and Insurrection, two major turds in the punch bowl of Next Generation.

However, I have a huge concern and an irritation. The latter being this new program’s distribution via CBS online. As much as I love Star Trek, I don’t care to pay CBS $10/month for two shows while the rest subsidizes old-people TV (there must be a thousand NCIS/CSI procedurals). The former is Alex Kurtzman’s involvement. He’s one of JJ Abrams’ flunkies and a huge reason why the rebooted movies suck ass. Kurtzman may be involved with Discovery along with a small army of Hollywood’s biggest hacks (Akiva Goldsman and JJ Abrams’ army of craptaculars amongst them) but I credit Nicholas Meyer for keeping this program on track of what Star Trek is about: exploration, the human condition, how we can rise above our past (and present) awfulness and given a small-fingered vulgarian in the White House, we have a serious karma deficit to pay off in the 23rd century.

Either way, I’m glad to see Patrick Stewart returning to the role which made him a genuine star in America.

Now…to find a way to go forward in time. Beyond the finale of Voyager to see what has happened since then. Give the prequels a rest.

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Lost in Space (2018)

Netflix’s remake debuted back in mid-April but I wanted to give this review/assessment more time for a couple reasons…beyond my usual poor health derailing the deadlines.

  1. When the 1998 movie came out, I hastily liked and endorsed it. Upon further viewings over the years, I readily admit to changing my mind several times. Currently, I still like it up to the last act; this is when the dialog becomes stilted and the special effects on Dr. Smith look terrible.
  2. I watched Netflix’s new version twice, the second viewing with Somara in tow, to see if there were any flaws/gems I overlooked.

The immediate verdict? Netflix did this fourth attempt to tell the story very well! It’s set in the near future to recapture the urgency of why people are leaving Earth for Alpha Centauri; in the Sixties it was overpopulation, today it’s the ecological disasters we’re actually facing. The characters also use technologies which aren’t too far off from what we use now, the big one being 3-D printers to make spare parts and a cast for someone with a broken leg.

There are major changes regarding the primary cast’s roles. Maureen Robinson is the leader and the primary brains because she’s an engineer who had a hand in designing the mothership with its Jupiter housing modules. John is an ex-USMC officer providing the physical assistance; back on Earth he commanded humanitarian efforts, a callback to all the disasters happening. Sadly, their marriage is on the rocks and you see it play out during the show’s multiple crises; it isn’t all negative. Judy is a doctor who was put on the fast track yet all the other passengers are uneasy with her age, they’d prefer someone over 25. Penny and Will remain adolescents. However, every person on the Resolute (the mothership) had to pass rigorous astronaut training to be allowed on the voyage. Very similar to how things are done today; all the people sent on the space shuttle and/or living on ISS need to know what to do in an emergency, no overspecialization like traditional Sci-Fi shows.

The radical changes are with the robot, Don West and Dr. Smith. Firstly, the robot is an alien found in the wreckage of another vessel Will discovers; this isn’t a spoiler, it’s in all the trailers. I like this modification because humanity hasn’t made much progress in robotics. Secondly, Don is demoted to a crew member of the Resolute. He has no rank, no title and he makes it abundantly clear, no future; the crew aren’t allowed to emigrate to Alpha Centauri. This doesn’t stop him from pitching in to aid the Robinsons; he has a crush on Judy and his survival remains paramount. Lastly, the great indie-cred actress Parker Posey is “Dr. Smith.” I put the name in quotes since you learn more about her background via flashbacks. Posey’s portrayal is spot on for a person willing to do anything to survive. Her “Smith” isn’t as dangerous as Gary Oldman’s yet I loved it, especially when you learn more on the “why/how” she’s present and why she’s very comfortable telling lies.

Lost‘s other major change(s) beyond the primary characters lies in the story. Traditionally, Lost in Space focuses on the Robinsons, Major West, the robot and Dr. Smith traveling from planet to planet, trying to get back on course to Alpha Centauri. Netflix’s first season involves a larger ensemble, primarily other families making the voyage. They too were forced to evacuate via their Jupiter landers so there’s about 100 to 150 colonists stuck on an unnamed planet. Now they all need to work together to contact the Resolute of their location so they can be rescued. The biggest hindrance?  The colonists’ elected leader, Simon, a self-righteous asshole with a couple flunkies backing him. Cooperation between him and Maureen is strained due to Simon’s insistence on obedience and his utter lack of scientific knowledge.

Closing out with the good news. Lost in Space received the go ahead from Netflix to start producing the second season. This was a relief given the first season ending with a cliff hanger! I highly recommend watching the show. Even no-Sci Fi fans will enjoy this. Netflix handed the reins over to an excellent writing team who did their homework on the Science of space exploration, Physics and Astronomy.

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Advanced Class Guide

My players over the years already know this about me, I’m not big on new classes in D&D because the majority don’t solve anything. Prestige Classes can since they’re more conceptual.

Now I’m fine with the four brought in by the two Ultimate books:

  • Ninja and Samurai are Japanese variations of Rogue and Cavalier respectively.
  • Magus synthesizes Fighter and Wizard to “save” levels.
  • Gunslinger is allowed even though guns are a waste of money.

In the Advanced Player’s Guide, I already made it clear why four of those classes were pointless while allowing two.

  • Cavalier is a good counter to the Barbarian, after I’ve made a couple adjustments to make it more like PHB 2‘s Knight.
  • Witch is a better option for arcane users via hags and some humanoid races.

Advanced Class Guide treads the same path as Player’s. There are good ideas, there are impractical applications and some of it is just plain…stupid. The difference between the 10 classes presented here are their nature, they’re not Core but Hybrids; a synthesis of two Core classes to make a new one. For example, Slayer is the Ranger and Rogue combined. It receives the favored enemy element of the Ranger and sneak attack damage from the Rogue. In exchange, the special abilities are both scaled back yet a fifth-level Slayer is more effective at his job than someone making a multi-classed Ranger and Rogue that’s a fifth-level character.

I do want to point out the three classes I’m never going to allow because no one will really bother to play. Rarely have I met anyone wanting to multi class the Barbarian with anything, let alone Bard or Sorcerer which is what Skald and Bloodrager do respectively. The Investigator is contrary to Fantasy altogether. If someone wants to solve mysteries with Nero Wolfe or Scooby Doo, play Call of Cthulhu and don’t waste my time.

These will work for NPCs: Shaman, Warpriest and Hunter.

The Arcanist will be a favorite of power gamers who feel their Wizards aren’t powerful enough. Too much bookkeeping for it to be an NPC.

Swashbuckler and Brawler are intriguing yet they are also a pain in tracking how often they can utilize their “powers.” For example, the Brawler can use a Fighting Feat temporarily without having to have it permanently. All that trouble to have a Monk with a non Lawful alignment.

As usual, once the Hybrid classes are detailed, the book introduces a plethora of options via Archetypes, Spells, Feats and Gear. It concludes with guidelines on how to make more Hybrid classes.

Is this book worth having? I give it a grudging “yes.” The positive backing is more for DMs having options to give their NPCs/Monsters. It’s offered in the pocket edition too which is what I would endorse given Pathfinder now undergoing its playlets for Second Edition.

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Go Houston!

As per the story line of Seventies flick Rollerball, the year is 2018 and Houston on its way to another championship with 10-year veteran Captain Jonathan E at the helm!

I still love this movie despite how super dated it is. Upon my most recent viewing through Hulu, I laughed so hard at the computer center in Geneva because it used punch cards! Hard to believe the producers thought that this tech would remain state-of-the-art 40 years later (Rollerball was released in 1975). At least Star Trek used pieces of wood to emulate would-be removable media; flash drives haven’t gone out of style.

The overall vibe was pretty different for its era too. While most dystopias tended to focus on the aftermath of nuclear (Damnation Alley, Zardoz), biological (The Omega Man) or ecological (Soylent Green, Logan’s Run, The Ultimate Warrior) disasters…Rollerball was a world in which war, hunger, poverty, etc. had been eradicated. The downside? The planet is governed by corporate executives. Somehow the people we know of today that are sociopathic assholes, solved the world’s problems and resisted their proclivity for greed and lining their pockets at the expense of the environment. Remember, this caste of Westerners ran the world economy into the crapper in 1929 and 2008. Then again, it is a movie and you do have to suspend your disbelief…heavily. The corporate executive element becomes a key plot point with the hero Jonathan E for a couple reasons. One, the government wants him to retire since they don’t like celebrities who aren’t executives; hence, the Rollerball League keeps changing the rules, hoping he’ll quit or get killed. Two, executives’ rights trump everyone else’s; years ago, his wife was forced to leave him due to an executive wanting her, a nod to Ray Kroc’s second marriage. I didn’t say the movie made sense all the time.

Even if the dramatic elements of the story borders on goofy, Rollerball‘s action sequences, Houston’s three matches, are impressive and its focus. It’s one of the first movies to give stuntmen the credit they deserved for their major contributions. Director Norman Jewison said the matches were shot in order (Madrid, Tokyo and finally New York) and the rules of rollerball solidified more each time.

It was remade within the last 20 years. Avoid it. This take sucks.

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Congratulations (belated) to Greg Rallo!

It’s very old news to my fellow Stars fans but I still wanted to get it out there regarding Greg Rallo, one of the original Stars to play in our inaugural season. He also came back two more times although he barely got to play last season. Before he left to play for the Rampage, he was one of our leading scorers!

Anyway, Greg is hanging up his skates to be an assistant coach with the Milwaukee Admirals next season! I don’t care about him being with one of our new, common opponents (we’re being moved over to the the Central Division, where we belong), I’m over the moon to know a former player will continue his career. He’s a great person. Always nice to us fans. He is living the dream because joining the Stars 10 years ago was a huge risk for him and Travis Morin. They were regulars in the ECHL’s Las Vegas team, the now defunct Wranglers. They drove out to Austin and gambled on getting a tryout with the Stars. Sure, they knew the coach but the odds are often stacked against US-born players, hockey isn’t our first sport and Canada alone has an abundance of talent.

Good luck Greg! Looking forward to seeing you whenever the Admirals visit! May this lead to a fantastic gig in the NHL.

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Nada Surf 2018 (Let Go anniversary tour)

First of many digging out stories and despite this concert being almost two months ago, I still think it’s relevant; bands doing anniversary tours has been a thing lately. For me, if it’s Nada Surf, I’m there because The Stars are Indifferent to Astronomy is a favorite album for the 2010s along with the single “When I Was Young” as something to put on my musical portrait playlist.

Bassist Daniel Lorca and drummer Ira Elliot contributing backing vocals to an acoustic version of “Blizzard of ’77”. Picture from Austin 101 magazine.

So the band came out and performed all of Let Go in order. Why this particular album though? Well, I think it’s when Nada Surf finally got to express their actual voice and we can thank a smaller label for allowing this. Most people remember them for a novelty song back in 1996 (“Popular”) and I always thought Elektra Records was trying to “discover” another Weezer. Hell, their debut was produced by Ric Ocasek in order to achieve the same result. They did another in 1998 but it probably tanked so they either finished the contract or were released.

They then took a break and returned with what is on the playlist below…

During the bridge of “Stalemate,” they inserted two verses from Joy Division’s swansong “Love Will Tear Us Apart,” which did fit very well. Should Nada Surf do another cover album, put it on the short list to do. This was the first time I have ever seen them perform “Popular” too. The years have been kind to it. I did ask Matt why they didn’t perform “When I Was Young,” and he said the song requires part-time member Doug Gillard’s incredible guitar solos (Doug is also a member of Guided By Voices). Fair enough.

Glad to see Nada Surf continue to move forward after 22 years (officially 24). Maybe my nieces and nephews will check out their music. If they claim to like Nirvana, this is easily superior material since Matt is a better, more reliable writer than St. Cobain.

On to wait for their next original album and there’s a tribute to Let’s Go with Manchester Orchestra, Aimee Mann and Rogue Wave contributing.

As expected, see Nada Surf live. Matt, Daniel and Ira put on a killer show.

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Fifty trips around the Sun

Well, I made it this far…and I’m mostly intact.

  • Cancer? Nope
  • Broken limbs? None
  • Stroke? Nope
  • Type II diabetes? Nope (or not yet)
  • Any kind of genetic disorder that shortens one’s lifespan? Nope
  • Asthma? Slight

Compared to my relatives and peers, I’m doing pretty well. I’ve lost six co-workers I liked in my 19 years with Apple, two people I went to Marquette with (I know of) and in the five high schools I attended, there’s one guy from Beulah who oddly died of cancer.

Yeah, I know, this post seems kind of morbid. We live in an unusual era. Life expectancy remains pretty good compared to the Middle Ages, the Renaissance, the Industrial Age, Pax Romana and even around WWII. The bad news, thanks to Climate Change, a generation of sociopaths (the Baby Boom) and a joint gerontocracy (two-thirds are over 55) in Congress with a kakistocracy administration, the numbers are declining for America while the EU rises. Throw in agism in the workplace, the future seems rather bleak. I’m mainly grateful for planning ahead. Somara and I have key things paid off, we only need to sweat the mortgage, our latest timeshare and the monthly bills. These are all manageable with a lower income should this happen. Personally, I’m tempted to cash out my 401K, pay off the house and just relax for a decade working at Pinballz, Alamo Drafthouse or Terra Toys. Hell, Rogues Gallery! Maybe become a professional DungeonMaster. Why not live the dream.

Today’s celebrations will be low key due to other priorities. A double feature at Alamo Drafthouse and then dinner at Maggiano’s. I’ll bug Dana Gould later in August to see if we can arrange the big idea I had brewing since 2016.

Thanks for the birthday wishes on FaceBook because it’s what our civilization does now.

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Bestiary 4

The emphasis on Paizo’s fourth monster book and it has numerous worthwhile creatures in here, most of them being evil. As always, a few are collected from their Adventure Path series, the Nosferatu vampires which live in Ustalav (Pathfinder‘s version of Ravenloft). The emphasis in this tome are Lovecraft’s creations (they are in the public domain) and monsters which come with mythic levels attached. These tend to be legendary types too, a giant with 100 eyes like Argus from Greek mythology, colossuses made of corpses or stone, and creatures bordering deity-like powers. They’re not much use without the Mythic Adventures rulebook to add their abilities. I’m more glad Paizo provided more examples.

Other categories they’ve boosted that I love, additional “races” of giants and two more types of hags. The latter are a key to the primary campaign I’m running.

Not in the mood to spend the $45 for the hardback book, it comes in softcover too.

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Fifteen years of marriage today

How I wish I were in Las Vegas right now. The heat doesn’t bother me as much. What should one expect anyway? It’s in the middle of the desert so there’s no point in whining over the weather/climate.

Anyway…Somara and I have made it pretty far but when we finally made it official, there was very little doubt between us things were going to be fine. In my generation (aka Generation X), it’s hard to find women who openly enjoy the same nerdy things as dudes. I kind of like that too. Means Somara is a diamond I found amongst a lot cubic zirconium ladies.

Plans? Nothing really this year. Work and health have been in the lead for our attention. We’ll still squeeze in a nice dinner, it just won’t be anything exciting to write about.

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Update on my health, blech!

As I approach my fiftieth orbit around the Sun and deal with the inevitable allergies most Austin residents acquire, I pushed for more aggressive treatment, especially over my need to cough about every ten minutes. I finally received some steroids which the doctor said weakens your immune system, I always thought it amplified things, oh well, he was the person with the medical degree. This made some headway but when it ran out, I needed a doctor for a refill, went for it. The other doctor decided to make me do an exhale test, three attempts. As I watched the computer tally up the result I saw it wasn’t going to be good, namely when it labeled my lungs as 60 years old. Ergo, the immediate diagnosis is that I have mild asthma. I believe it runs on my dad’s sides yet all the relatives who suffered through it were smokers, one of the last things you should be doing if you have trouble breathing. Me? I managed to be the only member of my immediate family who was never a smoker at any point in time; it was saddening to see Brian take it up while he was in high school, thankfully he finally shook the habit before he turned 30.

Digression, sorry.

Rather a bummer. The doctor says there’s a glimmer of hope. Remember, the diagnosis is mild, not permanent. I may be able to improve my situation with exercise and wiser living. What the latter may be? No clue. It’s not like I can get Austin to clean up its air quality. Thanks to Climate Change (which is real), we probably have way more Ozone Days than when I was a bus passenger.

I’ll be OK. I just now know why I sometimes have a coughing fit after strenuous exercise.

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Rest in Peace Asa

Asa amongst the staff.

Earlier this month, Asa the dog and mascot of my primary care giver passed away peacefully. He managed to live over 15 years which I imagine is good for a pure-breed dog (allegedly pure-breeds have shorter lifespans than “mutts.”).

Asa was pretty cool. He was always in a good mood to see you despite his tail being removed (the only indicator I know of when a dog is happy or excited), a common practice with dogs who are involved in herding other animals. Whenever I was around to see those I needed in repairing my well-being, I found him to be a great comfort because 99% of all dogs don’t really care about your troubles, they like you just the way you are and often just see the good inside us people as we pet them, praise them and simply be around.

He will continue to live on as a mascot which I have on a T-Shirt to remind me how far I have come.

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Mythic Adventures

Upon its introduction, I was skeptical and somewhat uninterested in Mythic since I really wanted Pathfinder’s equivalent to WOTC’s old Epic book; it covered characters at 21st and higher levels. Then the podcast my local comic/game store does got me to change my mind when they explained these rules. Mythic elements in Pathfinder aren’t a continuation after PCs/NPCs reach the maximum levels as per the Core Rules, they’re more like accessories to make everything in the game more unique and/or legendary. Mythic power is not gained by experience points neither, the PC (or NPC/Monster) must overcome a Trial. What’s a Trail then? It’s an event, encounter, battle, etc. that requires the heroes/villains to rise way above lesser heroes/villains’ deeds. They serve as the key points in building the legend about the person/creature. As expected, they’re at the GM’s discretion.

The first half is focused on characters/monsters on what Mythic elements do for them. Chapter One is about the Paths. These aren’t necessarily classes, they’re archetypes: archmage, champion, guardian…so they’re applicable to any of the Core‘s 11 classes along with the additional 20+ the Ultimate/Advanced books bring. There’s an option for Universal (or generic) if the player can’t make up their mind. The Paths provide the equivalent of Class abilities and obviously, they’re pretty powerful. A quick example, a Tier One Archmage (originally a Magus, Sorcerer, Witch or Wizard) can take Enduring Armor. With that, the PC automatically has something akin to the spell mage armor operating all the time and it adds three plus the PC’s tier(s) to their AC. The ability can be stopped (albeit briefly) through a dispel spell but the Archmage can re-activate it as a free action (there’s no such thing as swift in my game). Now throw it in with just the basic mythic abilities of hard to kill, surges and mythic powers, you can easily have a nightmare campaign if the GM isn’t careful.

The difference between regular Feats and mythic are their outcomes (Power Attack is +3 per four levels instead of +2); there are occasions when they allow the character to execute a skill as if they rolled a natural 20. The downside to the Feats? Many require the vanilla version as pre-requisites.

Spells follow similar logic as Feats. Mythic alters the results of the standard spell. I’ll pick a favorite, fireball. When the caster chooses the mythic version, they still expend the third-level slot the spell normally uses. The damage increases to d10 instead of the standard d6. Any creature who fails the Reflex saving throw is also on fire at 2d6 per round until it’s put out. I can see myself pursuing this with any arcane-utilizing PC should I ever get to play.

Chapter Four is the most critical, advice on how to run a mythic game. All these power boosts could easily make things boring after a while, right there with playing a video game with all the cheats activated. I appreciated the example Trials too. Designing encounters comes in handy on keeping things challenging.

Magic items in Chapter Five are really way-more expensive items which can do extra-special actions/damage in the hands of mythic wielders. I would also put legendary items we all know from fiction in here: Excalibur, Narsil, Stormbringer and the ring of power from LoTR.

Chapter Six contains common monsters modified with mythic levels and explanations on why or how they gained their mythic levels. Some are the progenitors of their race (the very earliest cyclopses, minotaurs), magic spells (skeletons), they devoured other mythical  beings (barghests) or they’re just more important than others (regular mummies guard a mythical mummy who was a king/queen). Again, I would put certain, famous enemies here: Acererak, von Straud/Dracula, Smaug and Eclavdra.

Mythic concludes with an example adventure and additional PC sheet to track mythic progression. The adventure is designed for a quartet of seventh-level PCs without mythic levels. I think they’re handed out at the start or maybe the PCs gain them as they progress. It isn’t very long yet it continues the book’s goal on how mythic is different from an ultra-high-level game.

I really recommend this book to keep in reserve for campaigns when the PCs hit double digits. It has been the inspiration for the primary game I run…when it can happen. I love the idea of a monster that’s more than additional hit points and has a few class levels.

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RIP Steve Ditko

Steve Ditko is another famous artist who helped make Marvel Comics a big deal, namely through his co-creation/drawing of Spider-Man. If I recall correctly (and I hope my friend who actually draws comics can chime in), Stan Lee chose Ditko over the more popular Jack Kirby because Stan wanted this new character to be lanky/thin. As awesome as Kirby was, I would have to agree, his characters were very “wide,” so the gymnastics Spider-Man does might not have popped off the page.

Besides Spider-Man, Ditko is credited with co-creating Dr. Strange before he left Marvel in the late Sixties for Charlton to work on their superhero line. With this publisher he created The Question, a vigilante-type along the lines of The Shadow, Green Hornet, etc. but he utilized the character to spout the Ayn Rand nonsense he believed in. The “philosophy” continued to pepper the character’s dialog and you get a demonstration in an episode of Justice League Unlimited on Cartoon Network when he says “A is A.”

Thankfully his stuff wasn’t always riddled with political/social stances since my favorite Ditko creation Shade the Changing Man happened in the mid-Seventies when he went to work for DC. The original comic only lasted eight issues but John Ostrander plucked the character out of obscurity in Suicide Squad (the good version from the Eighties, not the puerile crap we have to today) and then Shade was moved to Vertigo. DC revived Shade again briefly for Justice League Dark but he soon left the team. Today, Shade (full name Rac Shade) lives on through the Young Animal line with a young, non-human alien lady (also named Shade) wearing the Madness Vest, traveling the US. The Shade I love appears occasionally to advise Shade the Changing Woman while being revered on their homeward as a great poet.

Other contributions which live on today at DC…the Creeper and Hawk & Dove.

Although Ditko rarely gave interviews and what he was like can only be pieced together through his past co-workers, maybe there will be a decent biography about him. Meanwhile, thanks for all the cool ideas Mr. Ditko.

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Thirteen years of Volume Five!

The anniversary was yesterday but I always just remember I started the blog-format around the Fourth of July. There are days I miss the older, original printed versions because technology has come pretty far in cost as well as ease. Color printing would’ve made the work I did in the Nineties more exciting, at least to me; plus more photographs which I think the Internet is bogged down by…I for one don’t give two craps about what you’re going to eat.

The overall layout has remained the same since 2010 and I haven’t really shopped around for any new themes. I really like how Twenty Ten (a default) does the header but over the last couple years, the WordPress people took out the justify option with text due to certain browsers wigging out. I doubt it was something the majority of people use, I never spotted any trouble with Safari, Chrome and Firefox; aside from the last two, does anybody actually utilize anything else?

On to year 14, fingers crossed.

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