1981: Belated or sad milestone, take your pick

I’m going to keep the above artwork/banner/header for my site a little longer because it is tied to this story I failed to complete on time; stupid health and weather.

So why did I go with the old, rather cheesy-looking original D&D books? Around this time 30 years ago I was introduced to the hobby by Dan Blankenberger and if my parents could travel back in time, they probably would’ve prevented him from going to St. Agnes. Seriously.

Dan had just transferred to my school in the middle of the year and when he introduced himself to the class, he said his father worked for the Social Security department, he had grown up in Indiana, he had three brothers and one sister and he was into the game Dungeons & Dragons. Having been the new kid several times myself, I figured I’d help him out since the various cliques at St. Agnes weren’t terribly friendly. I was also in need of a new friend after discovering what jackasses most of my classmates were; years later I’ve realized it was their blossoming drinking, drug and sex addictions.

As for D&D, I had heard about it through Games magazine: they did a big article covering the game and how it “worked” back around 1980. In their annual “Top 100” feature from the December issues, D&D and some other title called Traveller were always listed too. I already had an interest in the Middle Ages since I was younger and by the age of 12 I was starting to discover the “gateway literature,” aka J.R.R. Tolkien’s novels. Now with Dan entering the equation, I could receive me a better, more elaborate clarification and demonstration.

I don’t remember Dan presenting a coherent explanation at all (he was my age), but what I did hear was intriguing: rangers, elves, goblins, dragons, gold, battles, magic, evil gods, castles, underground cities, so on. He may have been talking about his character or the current storyline an older brother was running (I’m using layman’s terms, D&D is awash in its own technical jargon).It didn’t matter, his anecdotes were enough…I had to play this game. Poor Dan. Looking back, I don’t think he was as enthused since he already siblings to share this hobby with and he was more interested in watching HBO at my house; he probably didn’t have much privacy at home either.

Still, Dan entertained me by setting up and refereeing an adventure with my very first character Landrew (ripped off from Star Trek). He had other motives too. To make sure my warrior survived, Dan had a character of his own accompany me; he planned to have this companion built up to take on quests managed by his older brother. In short, Dan was performing a weird silly version of cheating. Today’s equivalent would be buying a powerful World of Warcraft character/account off eBay or from those Korean gold-mining operations. Even if I knew better, I didn’t care. The experience was exciting and in some ways…addictive. Not addictive like drugs, more along the lines of dying to know what was next. It was the same thrill I received from seeing Star Wars for the first time. Remember how the movie ends? Inconclusively! The Rebels had only handed the Empire a temporary setback and Lucas wouldn’t deliver a sequel until 1980! I couldn’t wait that long when I was nine, hence all those awesome toys came to the rescue to fill the void for millions of kids. Dungeons & Dragons was the equivalent of Star Wars toys for kids turning into teenagers (and older) except they could make their own epic fantasy sagas.

Then Excalibur hit theaters. This really fueled everybody’s interest in Fantasy. Dan’s older brother started running a lunchtime game with the eighth graders; I wasn’t allowed to play being an unpopular seventh grader, same for poor Dan. We had to settle for the daily football tag competitions.

School ended by early June and I figured there would be more time to enjoy my newfound excitement. Sadly Dan’s family moved to the other side of Springfield by the middle of the month. This brought my brief friendship with Dan to an abrupt end; being adolescents, we didn’t have the resources to stay in touch.

Aunt Helen’s sudden death interrupted any attempts or contemplation on the matter. The loss of this relative was very painful, especially to Grandma. After the funeral, Mom had a brilliant idea. She had me stay with Grandma for a couple weeks to help her overcome her grief. Teenagers are probably the last people on Earth to help comfort the elderly. I can’t remember how Brian got to be off the hook for this. Bored out of my skull and self-absorbed, I cajoled Grandma into the 12 clams for the D&D basic set from the nearby KB Toys. I was on my way to figure out what Dan didn’t teach me.

When I returned to Springfield, I recruited my brother and the other neighborhood kids to check it out. The hours we wasted plundering the numerous caves in the Borderlands (the only adventure the set contained). D&D was really just another Summertime activity we did between kickball, ghost in the graveyard, baseball and riding our bikes through Washington Park. Nobody morphed into the stereotypical overweight uber-nerd.

For my birthday I received more money to get additional stuff which was relatively easy. Due to the hobby’s growing popularity with mainstream America, I could find stuff at the mall’s B. Dalton or Waldenbooks. Later on I learned that the best place in Springfield was a local hardware store. Sounds weird initially yet it makes sense later. They had a section dedicated to traditional hobbies: model railroads, RC planes so this was just a logical extension of the department to them. Onward I went.

Looking back it seems as everything was going TSR’s way in 1981 (the game’s original publisher). Dragonslayer appeared in theaters by July to keep the momentum Excalibur started and there was talk of a Conan the Barbarian movie. Knock-off products tried to capitalize on the newfound interest: The mediocre Dark Tower board game featuring Orson Welles in the commericials; horrendous video games: Venture in arcades and Adventure on the Atari. TSR gained a partnership with Mattel Toys for equally crappy stuff: D&D for Intellivision and an electronic board game.

The era was running in D&D’s favor too. Computers were very expensive and didn’t do much to justify their price tags. Home-based videogame systems were primitive with catalogs of fun yet rote games; something immersive was years away. Few knew about the Internet and it was confined to universities. What else was there to entertain a 12-year-old nerdy kid in the Midwest?

My 30 years with D&D has been a rather positive experience despite what Mom and Dad have said or thought over the years. In many ways I’m also very fortunate. Not many gamers (as their called) ever met the primary author Gary Gygax and even fewer worked with him. I wish I could say it was a pleasure; Gygax was a egotistical douche who believed his own mythology. I can say that I never thought I would work in game publishing when the opportunity presented itself 10 years later…a story which has its twentieth anniversary this Fall.

The hobby has given me much more than a short career. Through it I made many friends in high school; lugging a Player’s Handbook around was a precursor to modern social networks; college: it was a good break between binge-drinking sessions (I exaggerate); and beyond. I probably would’ve never read the lesser-known Sci-Fi/Fantasy authors whose DNA is in D&D; it’s not all Tolkienesque. It gave me an outlet to maintain the typing skills I gained from Strake Jesuit and extended toward my interest in Desktop Publishing: Wow, QuarkXpress could help me make a clear, concise character sheet. Eventually, it helped me overcome my mental block with writing which a lifetime of formal education inhibited by making it a joyless task.

For thousands of computer science workers, D&D’s randomization provided the guidelines to write code (character generators were common) which they do for a livelihood. The story/roleplaying element inspired hundreds of authors, actors, musicians, writers and obviously, comedians (Stephen Colbert is a famous one). The culmination of both elements and the complex rules became the foundation for online games like World of Warcraft (WoW), Everquest, City of Heroes and the licensed settings.

Nowadays, my dedication has waned. At my age it takes some effort to find people to play and the arguments it caused 30 years hasn’t changed. Certain people just drain the joy from it too with their passive-aggressive bullshit, hence my being tossed out/leaving the last group three years ago.

Personally, I find the strides through computers a double-edged sword. On the upside, products like WoW have solved some of D&D’s problems: always having someone around to play with; knowing the rules; an impartial referee; no need for preparation, you just log in and go. The negatives D&D has got amplified through WoW: it caters to the socially retarded; there’s nothing to enforce roleplaying, it is a complicated version of button mashing; and the imagination incentive is removed but I think most Americans are comfortable with their laziness. This cascades over to the traditional tabletop game for me being ruined. You invite some people, usually younger, and their D&D characters are merely extensions of the videogame Gauntlet going “Pew! Pew! Pew!” with lightning and poor roleplaying which makes Stallone look like a master thespian. The recent Fourth Edition tried to capitalize on this mindset. I think it’s failing miserably but I’m probably wrong once Hasbro (the current owner) whips out a balance sheet.

Will I retire? Grow the hell up as my parents would say? Not likely. I have had my interest and involvement ebb several times before, especially when GDW ended badly. The people behind Pathfinder which is derived from D&D appear to be doing a great job so I throw them a few bucks occasionally. Plus someone is looking to start a new game, if I have the time, I may take him up on his offer.

Posted in D & D, History | 1 Comment

Creative vandalism at my nearby Target

Just some blah blah plug on Target's "good deeds."

Maybe the joke from this poster or picture works well due to the larger Hispanic population around Central Texas. I don’t really know since the ethnicity of the lady and kid are ambiguous to me. Still it made me laugh while I noticed another woman walking by snickering too.

Zoom in and you'll see some prankster found a way to recycle the sticker from the deli counter product.

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My two cents on Phil Collins’ retirement

Now that the dust has settled and the man himself has clarified what is going on, I decided to also chime in.

I first caught the news via The Onion through their man-in-the-street section, chuckled and figured, good riddance, Phil’s body of work for the last 20 years bored me to tears. Then more jibber jabber kept coming; hard to believe with all the 24-hour coverage of Charlie Sheen plus some little nuclear accident in Japan.

Leave it to Sound Opinions to reopen the story for me. The hosts mentioned Phil having a personal Web site too. Their brief discussion made me rethink my hasty dismissal.

During my formative musical years, he did have great material. How he squeezed it all in from 1980-1990 was astounding because a drug addiction would’ve surfaced by the mid Nineties. He did though because Genesis became a larger, more successful band while he juggled it with an impressive solo career.

Peter Gabriel’s departure did seem to leave Genesis in a bad spot but I think the remaining four members knew that the Prog Rock they were doing had run its course. Hell, even Peter was delving into new things from around the world before Paul Simon made it safe for Americans. Anyway, Genesis took the gamble with Phil becoming the new singer, something I recall they were reluctant to do since few bands did and it confused audiences. I guess they never paid much attention to the Eagles.

So as the Seventies ended, Genesis made the shift to mainstream AOR with Pop-friendly elements in “Follow You Follow Me,” a tune I still love. However, being an AM listener until late 1981 my introduction to them was “Turn It On” and “Misunderstanding” from Duke. Great demonstrations of Phil’s singing. Around the time I made the great leap forward to WDBR-FM (I had grown tired of AM’s poor reception and WCVS became AC, aka Wuss Rock) Abacab was released. This was the album which got me hooked at 13 and it remains their all killer no filler record. Plus I feel it bridges the band’s Prog Rock roots with the refined Power Pop they had perfected through producer Hugh Padgham (Police, Split Enz, David Bowie, Peter Gabriel, Phil Collins, Julia Fordham and XTC). Other surprises occurred while I got into them. I learned that Phil was the drummer; they were right, it was a weird realization and I didn’t know jack about the Eagles then either. The bigger bombshell was hearing from a DJ about the original singer while introducing “Games Without Frontiers.”

One positive side effect from moving to Houston was the Classic Rock education I received through KLOL. This FM legend (killed around 2004) taught me the essentials on Genesis history while throwing in solo material from Peter, Phil and guitarist Mike Rutherford. The self-titled 1983 release was great but it was no Abacab. Its stronger memory for me was getting to see Genesis before we moved to India-no-place. Live shows were definitely Phil’s strength. He was funny, engaging and certainly the public face for Genesis. When they toured, the drums and bass were handled by people who usually were part of Phil’s solo act, namely guitarist Daryl Stuermer (a native from Milwaukee!). Phil would get behind his kit for key stuff: the extended jam on “Abacab” and a few faves from the Seventies. Little did I know how lucky I was. Genesis transformed into a crappy stadium act after this tour.

Phil’s solo material I have always been more ambivalent about. Face Value and Hello, I Must Be Going are decent. There’s the stronger AOR stuff which caters to the Genesis crowd who knew his name. It’s his third album when he lost me and this dislike spilled over to Genesis from then on. No Jacket Required has good songs but there was a Lowest-Common Denominator shift I sensed. Trust me, when you’re 16 and you hear your mother say how much she likes something by Phil Collins, something is amiss with your Rock heroes.

In Phil’s defense, he had a great sense of humor about the title “Sussidio.” How I wish I could find the clip from David Letterman.

Another reconciliation came from watching Classic Albums on VH-1 Classic. I was surprised the show’s producers chose Face Value over Jacket because they tended to showcase the colossal sellers: Fleetwood Mac’s Rumors and Def Leppard’s Pyromania. Here Phil dispelled the urban legend surrounding his infamous hit “In the Air Tonight.” The song was more about his first divorce, not some indirect murder. I remember some guy telling the drowning myth my freshman year at Marquette and I didn’t buy it because he had a reputation for being full of crap. Other insights I gained were Phil’s evolution as a musician and producer: the seeds for Abacab came from this; so did future work with Earth, Wind & Fire members and Eric Clapton. Lastly, much like Peter, Phil gave a great explanation regarding his album covers. People assume his face is there for ego purposes. Not really. Phil stated how the remaining art showed other sides of his head and the record was supposed to be a peek into what’s going through his mind. Tapes, CDs and downloads can’t do this like vinyl did.

The last tidbit was enough for me to forgive his super-cheesey Tarzan soundtrack. I do wonder if he’ll follow through on his promise to return to the UK now that a Tory government is in power; he resides in Switzerland because he doesn’t pay his taxes and has publicly stated his hatred of the Labour Party. The latter explains why Genesis reunions may be uncomfortable, Peter is one Labour’s largest individual contributors.

Thank you Phil for the many years of entertainment. May your retirement not transform into a series of comebacks and sad jokes like the Who’s or Cher’s.

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Futurama was originally a game in the Eighties!

I used to own a Nintendo in the late Eighties, how did I miss this title?

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Mmm…sprinkles

Someone at work had a box of doughnuts (donut is a variant according to the elitists at Webster) and I got permission to score the iconic Homer Simpson one. It definitely required a photo before consuming. Afterwards I regretted eating the thing. Blech! Only a fictional character could survive such a disgusting confection.

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Propaganda or sarcasm?

I need to ask my Japanese-speaking co-workers since I can’t make out emotion easily in their language. Meanwhile, much as I admire Japan’s precautions for earthquakes and other natural disasters, their reputation for downplaying the severity of meltdowns is rather tainted like our nation. And I’m not talking about nuclear power exclusively, Japanese banks had a string of problems a few years back.

Mar. 19, 2011 Update: Ayako told me this appears to be a presentation aimed at Japanese children. Something to keep them from worry so much and delay their rage when they suffer from cancer in their teens thanks to lax regulations and greed. Now the news reports to the residents near the accidents are teaching them how to live an irradiated lifestyle since there’s nowhere else to go.

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Farewell Zune

With all the 24-hour coverage of Charlie Sheen it was easy to forget mentioning the demise of Microsoft’s attempt to take on the iPod. I’m surprised they finally gave up since the corporation has deep pockets thanks to the success of their motion-capture Xbox 360 accessory; finally a reason to buy the game system beyond Halo.

I may be biased due to my employer and being an iPod owner of nine years but I never got one Zune to function whenever I’d check them out at Best Buy or Target.

At least they’ll continue being useful as iPod covers/cases. Legend has it, the brown Zune is the most effective (dis)incentive to keep thieves away.

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It’s better than the re-release in 3-D

Since I enjoyed their past work of Hot Fuzz and Shaun of the Dead, I’m willing to give Paul a shot especially after this little fan film the Brit duo did. I’ll still shoot for the matinee price at Alamo.

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AT&T demonstrates why Capitalism is selective, not open

You’ve probably seen the news and all the virtual hand-wrangling which obviously followed the leaked (or not) announcement of AT&T’s planned data cap on Internet access. I caught wind at work from a co-worker who just bought a house.

Just when we were enjoying our recent but troublesome upgrade, my ISP decides to pull a dick move. Well, I’m going to let them know tonight while dropping off the TV receiver we don’t need and to modify our bill for the landline we’re not using.

If they can prove our usage isn’t in the two percent they’re claiming (so far, their Web site is a bust), then fine. I remain skeptical though since an average 90-minute film can easily run several GigaBytes. It’s just the latest demonstration of naked aggression against companies (aka Netflix, Google) who have beat them at their own game. The big ISPs’ broadband is almost 90 percent raw profit and other formulas have shown that it’s only costing them five cent a GB moved along their networks.

In short, please don’t be surprised if I have to move my site again this Summer should I need to fire AT&T as my ISP. They might back off as Time Warner did who then may gain AT&T’s former customers. Not me though. I’ll probably wait for Google’s vaporware network to show up and make do with other hotspots.

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Happy Pi Day and Einstein’s Birthday

In order to celebrate both effectively, I would suggest getting a piece of pie with extra meringue so it resemble’s the famous scientist’s bushy shock of hair. Oh, and have three slices and a couple bites of a fourth!

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Happy Birthday Nelson!

Congratulations to the accidental friend I made 20 years ago!

Accidental? Kind of and I can explain.

Nelson was a buddy of Hoser’s and our clique only encountered him occasionally. “Our clique” being defined as Helen, Paul, Hoser, Phil and me, namely the Mashuda Years.

Around early 1991, I was a frequent visitor at Hoser’s place, watching his vast collection of movies or comedy specials on six-hour-speed tapes. Nelson was a resident in the same building so he would pop by like a sitcom neighbor, but he was invited unlike Monroe or Lenny & Squiggy.

When Hoser left for Florida, Nelson would invite me to do things and I was initially apprehensive. I didn’t know him very well. Besides, I already had my own friends, all we had in common was Hoser, why was he calling me?

Nelson’s polite persistence paid off. By that Summer we’d hang out at his Southside apartment and hit the bars near my cool pad around 20th and National.

After I moved away by the Fall to take the GDW gig, Nelson stayed in touch and we’ve been good friends ever since. Attended each others’ weddings, jibber-jabber on our iPhones at least once a month and talk about Las Vegas.

Here’s to Nelson! Drop the guy a line to wish him Happy Birthday since he will now be the answer to life, the universe and everything for the next year!

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Hopscotch

Movie number four in the Sick Day run is one that reminds me of why I miss Walter Matthau. This was obviously built around him; nobody else could be such a wiseass like Walter. I found Hopscotch a bit prescient on how badly the CIA would be politicized by the various political factions in Washington yet by 1980 (when it was released), this was already going on, it’s just a thousand times worse today…Iraq’s alleged WMDs haven’t been found.

It begins with veteran operative Miles Kendig taking photos of West Germans passing a microfilm to the KGB’s regional director Yaskov. Kendig has the spies grabbed by local law enforcement but he lets Yaskov go once he has the microfilm returned, a little gesture of detente. This infuriates his superior in Washington, the inept Director Myerson. Kendig defends his decision by explaining how it’s wiser to keep a well-known, semi-predictable opponent in play because the CIA and its allies wouldn’t have any idea about Yaskov’s successor for at least two years. Letting Yaskov go was a bargain compared to how much damage the Soviets and their allies could do otherwise. Myerson wants to hear none of this so he has Kendig demoted to a desk job at Langley until retirement.

Kendig quickly decides he isn’t going to leave quietly and it’s time the world knows about all the skullduggery the CIA, the KGB and the rest have been up to. First, he makes a visit to the central file center, smuggles out his dossier and shreds all records of his existence. Next, he flies to Austria to hide out with Isobel, an ex-British agent who is the widow of a wealthy aristocrat; hence why she have money, a title and lives in a mansion. Kendig explains why he quit and asks for her assistance on writing his tell-all book. She thinks he’s crazy because both sides will assassinate him but agrees.

The first chapter is written at Isobel’s place, then photocopied and mailed to the embassies of all the major powers. Afterwards, Kendig splits and leads the CIA on a wild-goose chase around Europe, America and the Bahamas, continuously shipping a chapter from every destination he visits. The funniest one is Myerson’s Summer home in the Carolinas which destroyed by a trigger-happy FBI squad. By the time the book is completed, Kendig has a publishing arrangement with a small company in England where the CIA will have difficulty suppressing it; revealing US secrets isn’t a crime in the UK.

Is this funny? Somewhat. Hopscotch is a comedy but it’s a subtle, cerebral one not a gut-busting, fart-laden gross-out fest. Matthau used to cater to adults and often older ones with other fare such as First Monday in October, House Calls and The Front Page. Today these would probably be labelled as Indie flicks. When he branched out into material for wider audiences near the end of his career like Grumpy Old Men, Out to Sea and Dennis the Menace, the seen-it-all/done-it-all wiseass he cultivated from past work was lost on a younger generation. This was sadly demonstrated when he was miscast with Robin Williams in The Survivors. Nowadays Walter is probably best remembered for his (sudden) appearance in Hell on South Park telling the Devil what a swell time he was having.

Other factors which made Hopscotch worth its 106 minutes was the cast. Herbert Lom was Yaskov and it was nice to see him outside of being Clouseau’s nemesis Chief Inspector Dreyfeuss. The next was having Ned Beatty as Myerson because Beatty was the actor to hire for toady roles throughout the Seventies.

I would highly recommend this movie as a nice counter to the hyper-active Borne trilogy, all the over-serious Tom Clancy drivel and the tired, no-longer-funny Austin Powers crap.

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Cirque du Soleil: Dralion

This was my fourth show of the French-Canadian circus troupe and so far it’s the funniest because the comic-relief characters are larger participants than those recall from O, Mystere and Alegria. It still has mostly serious moments involving acrobats, trapeze artists and contortionists. Dralion also features a juggler who could give the Flying Karamazov Brothers fits with the stuff he did and the singers (doing the usual Cocteau Twins gibberishspeak) were active participants.

What’s the story? I have no idea. I didn’t buy a program and I doubt it would make any difference. My best guess is it’s some fusion of the elements (Earth, Wind, Water and Fire) and several cultures (China, India or Bali, Equatorial Africa and a generic Europe) demonstrating their thing for a while; there’s some little creature running around with an hourglass to kick it off. Cirque doesn’t necessarily require a narrative to be enjoyed.

Should Dralion come to your city, I recommend checking the show out. Children under 10-12 will probably bored and tickets ran at least $40 in Austin so purchase them wisely.

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The King’s Speech

I always wanted to catch this since I saw the trailer during Nowhere Boy because I rather enjoy Geoffrey Rush’s acting. It’s good to see him doing something beyond another Pirates flick yet I feel he’s getting typecast into historical stuff: Elizabeth, Shakespeare in Love, Frida and Shine. Speech is also a great candidate for the now defunct show Hollywood v. History I so loved on the History Channel (aka the WWII Channel). The experts History interviewed about the Battle of Thermopylae and Pearl Harbor were excellent. A much better, more thorough job than what can be found on Wikipedia which is practically staffed by out-of-work, Right Wing Think Tank employees. Hence, this is why it’s free and only useful on trivial works of fiction and not considered a reliable source for History. A show like H v. H would bring up British officials’ affinities for the Nazis and Fascist Spain…namely Churchill (patron saint of Anglophiles and Conservative Revisionists) siding with Franco in the Spanish Civil War.

Now that I’ve gotten my editorial against the subjective (alleged) online encyclopedia, onward about the movie which probably won some Oscars; I don’t follow Hollywood’s self-congratulatory culture enough to care.

The focus is on Prince Albert and his embarrassing stutter as the movie demonstrates in the opening act, some worldwide broadcast he stumbles through around 1925. Since the English (nee German, they used to be the Saxe-Coburg-Gothas) royal family is expected to make numerous public appearances and radio speeches to earn its keep, Albert better get this resolved. So far nothing works. Doctors can’t cure it. Speech pathologists can’t lessen it. I suppose psychological approaches aren’t entertained in this era. Everyone seems pretty set on him to be a national joke but at least he won’t be king.

Princess Elizabeth (still alive and known today as the Queen Mother) decides to seek the aid of Lionel Logue, a radical Aussie in speech pathology circles. Initially both sides are reluctant to work with each other: Logue needs complete trust and the prince is well…a prince, he doesn’t like “commoners” treating him as a peer. Logue gets results though, otherwise there wouldn’t be a movie.

Worth Seeing? As a story, this is rather enjoyable and amusing, even funny (allegedly, there may be a PG-13 version which will have Albert’s tirade of swearing cut down). The cast is what made it successful since their real-life counterparts in the English royalty are not really sympathetic people; outside of the American defense budget, the Windsors are the biggest welfare recipients in the West. Speech is really a dramatic, adult version of Disney’s princess productions except it isn’t based upon fictitious (Ariel) or poorly documented (Mulan) figures. When it comes out on DVD, Streaming or Cable, check it out. It only received the Alamo treatment because we had the day off and some wonderful friends gave us gift cards for Christmas.

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Hybridization of Rock, Geek and Car Culture

Too bad the artist didn’t get this out in time for Back to the Future‘s 25th anniversary. Hell, I’m still wishing I had the time and gumption to see the trilogy last Summer at Alamo Ritz because Christopher Lloyd was the surprise guest!

To many car buffs and even amateur Pop-Culture experts, the Rat Fink character is well-known. With everyone else, it’s probably familiar but they can’t put their metaphorical finger on the reason why. Either way, this shirt Jeremy bought for his dad is very amusing regardless of the context.

The Doctor Who revival carries on with a vengeance by combining four of the actors (from left to right: Matt Smith, Paul McGann, Tom Baker and David Tennant) as the loudest band to hit the airwaves in the mid Sixties. They have much in common too. Despite their numerous farewell tours and losing two members, The Who keep regenerating interest in flogging a dead horse.

It’s nice to see the artist using Paul McGann as the stand-in for Roger Daltry even though the other three bear no resemblance to John Entwhistle, Pete Townshend and Keith Moon. Personally, a younger-looking/modified Jon Pertwee would’ve been more effective but I think McGann deserves a little slack. As flawed as the Fox movie was, he did a decent job given what he had to work with.

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